Editor's Page

That’s Made Out of Wood?

In the mid-1990s, WoodenBoat set up a display at a large sailboat show in Atlantic City, New Jersey. Most of the vendors at that show were manufacturers of boats built of fiberglass. Our display, on the other hand, showcased two small wooden boats: a finished Shellback Dinghy and another one under construction. The completed boat was painted white in a brushed-on gloss topside enamel. The unfinished boat began the weekend as a stack of plywood panels, and by Saturday afternoon it had the shape of a boat—with the usual pre-painting holes in need of filling, glue scars, and plywood appearance. It was shapely, but homely.

The juxtaposition of these two boats was an epiphany for many of the showgoers. Over the course of two days, a steady stream of people filed past our booth, stopped, stared, pointed at each hull, and asked, “That boat is that boat?” Or they pointed at the glossy, finished boat and said, “That’s made out of wood?” This was a lesson for us. Those of us with some familiarity and affinity for wooden boats know that the possibilities are endless for wood construction—that shapes and finishes span the gamut from traditionally planked and caulked hulls to wood-composite racing and fishing machines. Others who are less familiar with wooden boats, however, might have some preconceived notions about wood as a construction material. The fact is that rugged pilot cutters, converted Chesapeake Bay buy boats (page 74), competitive racing sailboats, fast runabouts (page 99), capacious beach cruisers (page 22), and lightweight nimble kayaks can all be built out of wood.

I was reminded of our Atlantic City experience recently when I brought home a proof of this issue’s cover. The hot-pink fishing boat in the image is called TIMID TUNA. She is a Rybovich sportfisherman that was reimagined and rebuilt by Reid Bandy of Annapolis, Maryland. The project included the cold-molding of a tunnel in the boat’s bottom to accommodate a shaft angle lower than the original setup. And the alterations included a redesign of the superstructure, which was rebuilt in high-density foam and E-glass panels. This, along with the shaft-angle reduction and repowering, resulted in a more than 5,000-lb reduction in the hull’s weight—and a speed increase from 25 knots to 35 knots.

Bandy’s motivation for his projects, as quoted by author Joe Evans beginning on page 50, is this: “I’m trying to…prove that these great boats, done right, can be a good value. They are low-maintenance and will perform as well as something brand-new that comes along.” With most of the boats I’ve owned, I’ve been a die-hard purist, striving to maintain originality. There’s something freeing in Bandy’s approach of preserving the best qualities of a worn-out boat and amplifying them with today’s best practices. It’s not the right approach for all projects, but it opens up a world of possibilities with many others.

When I brought home that cover proof, my son Odin asked me incredulously, “That’s made out of wood?” I told him the story of the Atlantic City boat show. His question, for me, confirmed the choice of cover, because the boat in that photograph challenged his notion of a what a wooden boat can be, and it showed him what is possible.

Matt Murphy

Editor of WoodenBoat Magazine

Michael Storer–designed Goat Island Skiff EPIK, the François Vivier–designed Silmaril TRUK 2, the Grand Silmaril VITAE BREVIS, and the Silmaril KERELEN 4.
Page 22

Sailing Between the Trees

by Text and photographs by Nic Compton

Four boats were tacking through the fog when I arrived at Arradon, in Brittany, on the northwest coast of France. Four brown sails and one white, all lug-rigged, faded in and out of view as they were swallowed up and then re-emerged out of the haze. It looked mysterious and strangely timeless, as if I’d just stumbled across a bunch of 16th-century smugglers waiting to load their contraband.

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Reid Bandy
Page 50

Reid Bandy’s Ryboviches

by Joe Evans • Photographs by John Bildahl

Reid Bandy was a front-row art-class student in grade school who was captivated by lessons in perspective, scale, form, function, and sketching. He was also obsessed with boats, and his drawings looked like Rybovich sportfishing yachts. “I don’t think I had ever seen a Rybo in person,” he says. “It’s just what I thought a cool boat should look like—the broken sheer, trunk cabin, outriggers, and tournament cockpit.”

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The opening scene of Joseph Conrad’s Heart of Darkness.
Page 60

Joseph Conrad, Sailor

by Stan Grayson • Illustrations by Scott Kennedy

It is among the most evocative first lines in literature: “The NELLIE, a cruising yawl, swung to her anchor without a flutter of the sails, and was at rest.” Thus, the scene is set and, as a windless twilight descends upon the lower reaches of the River Thames, a seaman named Marlow spins a yarn for his shipmates. It is the 1890s, just before the coming of small, gasoline engines suitable for yachts, and NELLIE’s captain and crew adapt to nature’s dictates, the ebbing and flooding of the tide, as sailors must.

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Open launch built to plans by Robert Steward.
Page 66

SWEET REMAINS

by Bob Fuller

In 2017, Alexander “Sandy” Brown was given a copy of Wooden Boats: In Pursuit of the Perfect Craft at an American Boatyard, Michael Ruhlman’s book about the construction of the schooner REBECCA at Gannon & Benjamin Marine Railway on Martha’s Vineyard, Massachusetts. In the book’s step-by-step descriptions and photographs, Sandy was inspired about boatbuilding, and his thoughts turned to the small craft he had known in the harbor at another Massachusetts island, Cuttyhunk, where he grew up in the 1940s and ’50s.

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COASTAL QUEEN
Page 77

Aboard: COASTAL QUEEN

by Laura Zylinski • Photographs by Peter Slack

In 1928, a Chesapeake Bay workboat, 65' LOA with a beam of 21' and draft of 5' 6", was launched near Cambridge, Maryland. Named A.G. PRICE, she was a typical boat of the Bay, hard-chined with a cross-planked bottom, and she immediately set to work as a buy boat, gathering oysters from all manner of dredging and tonging boats for delivery to packing houses.

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