November / December 2022
A Deep Canyon Connection
At the rim of the Grand Canyon, the overlook of multicolored canyon walls and buttes is one of the most spectacular sights in North America and one of the seven natural wonders of the world. A full mile below the rim on the canyon floor, the Colorado River cuts a slender silver ribbon between the rust-colored cliff walls beneath a cobalt blue sky. Yet this wonder, which President Theodore Roosevelt praised as being “unparalleled throughout the wide world,” nearly became just another large freshwater reservoir in the American southwest.
In 1964, just one congressional vote stood between the creation of two dams that would have flooded a place that is considered a worldwide attraction and a national treasure. The native Anasazi, who lived there for thousands of years, considered it holy ground. Approvals for the building of Marble Canyon Dam and Bridge Canyon Dam were almost foregone conclusions in the dam-crazed era of the 1960s, and the appropriations vote in the fall of ’64 was considered by most to be a mere formality, like so many dam votes before it. Those two dams were part of the Pacific Southwest Water Plan that had been drafted by the U.S. Bureau of Reclamation and approved by elected politicians who wanted more dams to support urban growth and generate revenue for the states and cities of the Southwest.
One man with passion, purpose, and a heart for the environment put a stake in the ground and declared the sacrifice of the Grand Canyon was too high a price for progress. But what could one man possibly do to stop a powerful congressional plan and two dams that were already at the beginning stages of construction? When the man is Martin Litton, it turns out the answer is a lot.
In the 1950s, Martin was a writer for Sunset magazine in California, and the first time he rowed through the Grand Canyon, in 1956, he used a boat that was ill-suited for the enormous waves and treacherous rapids of the Colorado River. A few years later, while on a writing assignment in Oregon, Martin saw a wooden boat whose design would change river-running in the Grand Canyon and ultimately save the canyon from destruction. The wood boat he saw was called a McKenzie drift boat, and it wasn’t just its simple, clean lines, and sexy curves that caught his eye. It was the way the boat moved with grace and style through the technical rapids and extreme rock gardens of the McKenzie River. The unique boats elevated river-running to an art form, and Martin was so sure the design characteristics would transfer from the Pacific Northwest to the Colorado River that he commissioned two boats, on the spot, to be built by an Oregon boatbuilder named Keith Steele in time for his 1962 trip.
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